New Cover Designs!

I finally designed covers for The Distance Duet that I love! Graphic design is not my strong point, so this was a bit of a struggle. Luckily I am a little more well-versed in book formatting so, design-wise, I am over the tallest hurdle.

Seriously. Adore this!
Love. LOVE!

I am making progress on the total rewrite of Desire and Social Distance, and have paused marketing efforts for the most part until I am done writing. I took some advice from a marketing workshop on Amazon algorithms and am not doing a preorder for book one. I am doing no paid promotions, blog tours, or anything. I’m launching quietly with a tiny street team and one or two ARC readers, and maybe a reader group party. Until I publish book two, I’m not really going to worry that much about sales.

I am thrilled that I decided to do the rewrite. The story is so much better, and Elena and Greyson are so much more believable, sympathetic characters with a love story that I believe is truly unique and unforgettable, and that I can’t wait for you to read.

I’ve been writing this book a long time, almost two years, and it’s tempting to get frustrated and impatient with myself. But then I stop enjoying the writing. And after that–what is the point of all this again? So I am giving myself grace, and hope you, Potential Future Reader, will too.


My Lightning Survivor Story

Bizarre but true fact about me: I was struck by lightning when I was 7 years old. I was on the back porch of my parents’ house enjoying my favorite kind of weather—a thunderstorm. I remember it vividly. I was eating a creamsicle and watching the dripping eaves and smelling the petrichor when suddenly I felt a searing pain and heard a deafening pop and was thrown off the porch into the sopping grass. It was instant—it happened within a blink. One second I was on the porch, the next second I was sprawled on the wet lawn, my creamsicle a few yards in front of me. I don’t know how I was able to understand what happened so quickly, but I immediately knew, and through my sudden, wracking sobs I screamed to my mother inside, “I got struck by lightning!” She rushed me to the ER, where they examined me and tested me for internal organ damage. Luckily, there was none. All the evidence present was a big black mark where the bolt had entered my shoulder, and my right big toe was black from where it had exited. The doctor told me the voltage had traveled down the right side of my body, bypassing my chest cavity & thereby sparing my life. He said had I not been wearing rubber-soled flip flops I’d have lost my toe. The last thing I recall the ER doc saying to me was, “You have survived Thor’s thunderbolt. You are destined for great things.”

What’s a totally bizarre but true fact about you?

Mood Boards as Writing Tools

A lot of authors use implements to assist them in the creation of their books. While music is not something I utilize for writing, visuals totally are. I make mood boards for my characters, settings, and for the book itself. I even use stock photos that closely resemble my characters in the profiles I outline for them. For a word-slinger, I’m awfully visual. What tools & implements do you use to help you visualize your creations?

Show Don’t Tell – What That Really Means

You always hear writers give this advice. “Show, don’t tell.” But what the hell does that really mean, anyway? Nobody has ever given me a clear explanation. But I did figure it out by myself, and here’s the best way I know how to explain it: using dialogue tags.

The road to hell is paved with adverbs. –Stephen King

If you’ve read King’s On Writing, you’ll recognize that witticism. It’s also true. And that’s because using adverbial dialogue tags is bad writing. For example:

“Put the phone down now,” Alicia said menacingly.

As King puts it in On Writing, “who farted, right?” We don’t want to be told that Alicia’s tone was menacing; we want to be shown. So how would we do that? Instead, we might write:

“Put the phone down. Now,” Alicia said.

That little pause afforded by the period imbues her statement with a hint of malice, a bit of a threat, which shows the reader how Alicia is feeling about what she is saying, which construes her emotions better than an adverbial dialogue tag appended to the end. Or we might change the verbiage to imply urgency:

“Drop the phone! Now!” Alicia said.

Or if we’re trying to denote a threat, perhaps:

“If you’re smart, you’ll put the phone down. Now,” Alicia said.

There’s no need to add that she said it “menacingly,” because the words themselves are menacing.

That’s it. That’s showing instead of telling. Simple, right? What’s the best or worst writing advice you’ve ever been given?

How I Know I’m a Writer #001

Am I insane? Tell me other writers do this so we can be insane together.

Reason No. 001: I’ll see a cute guy, and instead of approaching him, I’ll sink deep into imaginative thought, and five minutes later–after he’s long gone–catch myself concluding my summation of the entire hypothetical relationship, like, “We’d realize we only stayed together for the kids.” Am I insane? Tell me other writers do this, so we can be insane together.

Do you have any writerly quirks? I’d love to hear them in the comments.

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